It's been a while, but once more we dig into the Amby Paliwoda collection of MGM Tex Avery Model sheets. Amby let me copy these and more almost 30 years ago at Duck Soup Produckions, as a reward for being a hard working assistant animator. Too cool! Enjoy.
Garden Gopher by klangley
Tex Avery - Who Killed Who (1943) by TYKUN
Dog Gone Tired
Doggone Tired (1949) Tex Avery MGM 1 by andythebeagle
And a Harmon - Ising classic, Lonesome Stranger.
Sunday, June 29, 2014
There was a five-year period during my animation career where I became a serious after hour’s scenester. Luckily this was during the most robust renaissance of underground Los Angeles culture and nightlife of the late 20th century. After the waning of the punk/new wave late 70’s and early 80’s, the cool club scene was moribund until around 1985. Enter club Power Tools! The Park Plaza Hotel in Mac Arthur Park was the last home of Power Tools, which was replaced by the huge Goth nightclub Scream, the vibe from both clubs eventually paved the way for what would become Lollapalooza.(Compilation of sources-Nancy Rommelmann) “There is no doubt that it was the greatest club ever,” says A-list L.A. party promoter Josh Richman. During a meteoric two-year run, Power Tools attracted the ’80s A-list: George Michael and Grace Jones, Prince and Mickey Rourke, Pee-wee Herman, David Bowie and Matt Dillon. But at this raucous weekly club, celebrities were the sideshows. The main event was the mix of then emerging So Cal cultures—hip-hop, skateboarding, surf punk—colliding with rock upstarts (the Red Hot Chili Peppers, Beastie Boys) and art stars (Andy Warhol, Keith Haring). I personally saw Andy Warhol walking around taking photos, I wasn’t too far out of art school, and so it was just too surreal to actually see him in action.Below is a pic of Keith Haring body painting a Go-Go girl. Scream. (up from being a side show act at Power Tools). Scream was indeed an oasis in Hollywood/LA at the time from the play to play Sunset Strip big-hair bands, although guests like Guns and Roses would be invited from time to time to Scream. Lollapalooza , a new type of rock tour--but also their farewell as a group. By 1990 The local Hollywood scene was now dead as all the good bands were now signed and touring, the few musicians that were left went to Seattle to try out for bands to get signed. The circus had moved on, and Lollapalooza was that traveling circus. The rest is history
Saturday, April 05, 2014
Duck Studio) was started by Roger Chouinard and Duane Crowther in 1972. It was the Tiffany’s of the small commercial studios that dotted the Los Angeles landscape in the 70’s and 80’s, which included Film Fair, Spungbuggy, Murikami-Wolf, and Kurtz and Friends. As mentioned in earlier posts, I first met animators Corny Cole and Sam Kirson in 1974 while drawing cartoons for my mother’s first grade class in Santa Monica. Sam Kirson’s son, Wolf introduced me to his father Sam and Corny, who in turn invited me to the Duck Soup studios for a visit. I was invited to a studio cartoon screening of Disney's "Mother Goose Goes Hollywood", there I met, Duane Crowther, Amby Paliwoda, Grim Natwick, Arnie Wong, Mark Kausler, and many other talented folks. Duane was kind enough to shoot pencil tests of my early attempts at animation on the end of their commercial dailies. I was bitten by the animation bug right there! Later during college summer vacations in the late 70’s I was hired by the studio as a runner/ assistant animator, I was happy as a kid in a candy store! I worked there for 5 summers until I graduated from CSULB. Duane Crowther- From the UPA studios and also of the Beatles "Yellow Submarine" movie was my main mentor at the studio. Duane was very helpful, generous, and funny. He taught me to loosen up my drawings and snap up my timing. Duane directed most of the classic Kellogs spots and many others like Crave Cat Food, Nestle’s Quick, Froot Loops, etc. Grim Natwick- Was a close friend of Duane’s from the UPA days, (probably on UPA's Rooty Toot Toot). Amby knew Grim from the "Snow White" days at Disney. Grim freelanced at the studio in the early 70's. Grim started in the silent film days, and lived to be over 100. Corny Cole- Was my animation surf mentor, I also worked with Corny at Spugbuggy and on the first relaunch of "Alvin and the Chipmunks" in 1983. Corny did the amazing layouts on the "Sylvester Nine Live" spots and many Kellogs commercials. Corny went on the teach life drawing at Cal Arts. Frank Terry- Frank directed many of the "Raid" commercials and the more experimental spots at the studio using the latest post 70’s graphic techniques. Frank went on to head the Cal Arts animation department. Amby Paliwoda- Amby was a classic Disney animator who started with Walt in 1935 and worked there for over 25 years. I assisted Amby with many of the Kellogs spots, and even a talking dog for Levis. That got a me gig at ILM animating JFK on the film Forrest Gump, which won an Oscar in 1994 for VFX. Toby Bluth- Toby was the master watercolor background artist for many of the classic Kellog’s commercials, and also directed the MGM feature "Babes in Toyland". His watercolors still inspire me to this day, reminding me of Harmon Ising cartoons and early Disney shorts! His brother is director Don Bluth who you might have heard of. I’ll be forever grateful and inspired by these men, I was lucky to live in an age when animation secrets were handed down to each generation by careful guidance and patience. I’m now in my 50’s and I still use those skills today. I’m now in the process of completing my first independent feature film, The Kustomonsters, which is a compilation of shorts which I have done over the last few years, as well as heading up the reboot of "Rainbow Brite" for Hallmark. I owe these men a a debt of gratitude for their early inspiration. Duck out.
Sunday, March 16, 2014
In this era of multi million dollar 3d animated films which must turn a 300 million dollar profit or be doomed a failure by Wall Street, it’s curious to know that independent 2d animated features are bubbling up to fill the void of artistic expression at a reasonable cost. Tools today have afforded the motivated artist to actually complete a film themselves or with a very small crew. This brings me to new completed and proposed feature films by Elliot Cowan, Jim Lujan, Michel Gagne, Nick Cross and veteran Ralph Bakshi. Most of these films are budgeted well under a million dollars and many have been helped by Kickstarter campaigns. Elliot Cowan recently released his film “The stressful Adventures of Boxhead and Roundhead” Jim Lujan just released his new 56 minute feature on YouTube called “KounterKlockwise in Foreverland” The talented Michel Gagne has just received and option from Belgian Grid Films for his Kickstarter project, “The Saga of Rex” Nick Cross has been working on his solo feature film called “Black Sunrise” And the legendary Ralph Bakshi returns to animated features with “The Last Days of Coney Island” Let’s hope these films do well and usher in a new era of 2d animation and more artist driven animated features. Oh yes, and I will be releasing a Kustomonsters 35 minute featurette called, "The Legend of Mummy Daddyo" later in 2014! Stay tooned!
Wednesday, January 08, 2014
A new animated short from director Craig Clark for Spiritclips from Hallmark is complete! The plot concerns A composer with writer's block receives an unexpected visit from his three squirrelly grandchildren. The Matt Cohenen script received an updated UPA style treatment from animators Mike Polvani, Kwesi Kennedy, Vanessa Maglio and designer director Craig Clark. Also dynamic background painting from Tim Szabo! Check out the film here and get a free Spritclips Streaming media trial. Spiritclips- Cacophony